Why Underwater Photography in Freshwater?

I'm often asked why I'm interested in freshwater fish like bass and walleye.  Well, the freshwater world has never had an ambassador in the same way the oceans had Jacques Cousteau.  Perhaps, all of us who spend time in lakes can collectively be some sort of equivalent to that.

I think there’s always room for more good photographers, and I think interest in freshwater fish will continue.  I’d encourage beginners to learn about their subjects.  Become an expert on the life and behavior of these fish.  Become a steward of their habitat.  Whether it's a musky, a largemouth bass or a bluegill, think of yourself as a PR person for that particular fish.  If you do this, you’ll show them in the best light, you’ll be mindful of disturbing them, and your work will automatically show these creatures at their most magnificent.  Don’t sell pictures or videos.  Instead, fall in love with your subjects and sell that love!  And instead of exploiting them for personal profit, you’ll become partners with them in calling attention to their inherent beauty and value in the ecosystem, and the special problems each one of them face in an increasingly crowded world.

Getting Close to Fish: How's That Done Exactly?

How Do You Get So Close to The Fish? Why Don't They Spook?

That's a question I get asked frequently by many people. To photograph fish well underwater, it's necessary to get very close to them. So how do I do that? One thing I've done is to develop a series of techniques that communicate to the fish my lack of hostility, and my general inability to compete with them as creatures perfectly designed for life underwater. One way I do that is to present myself as obviously as possible. I don't try to ambush or deceive them. I don't wear a camouflage wet suit. I don't sneak around or hide behind boulders or timber. I don't try to advance toward a fish when he can't see me. I don't even try to be particularly quiet.

In fact I do the opposite of all those things. I make sure the fish see me coming from a long way away. I try to show myself out in the open and demonstrate what my limitations are. Ideally, you want to convey to the fish how slow and incompetent you are in it's environment; how clumsy you are; how incredibly un-stealthy you are; This is so opposite of what a predator would do that many fish are able to detect that you're not a threat to them, based on your complete lack of cunning or covertness. You want them to see you and think that you're completely ridiculous (which you are of course). The faster you can get them to understand this, the faster their fear will disappear. 

What I'm mainly trying to do with this approach is to begin a relationship with a specific fish or fishes that I expect to see many more times in the future. However, if you have one chance on one day with a fish you know you'll never see again, I'd recommend a more stealth approach. 

Ordinarily though, I'm just trying to get fish used to seeing me. Over many visits to the same lake, the same fish will see me time and time again. Eventually, as bizarre and strange as my appearance may be to them, I won't be considered "an unknown scary thing" to avoid. Fish will come to regard me as that "big funny looking turtle-like thing" they sometimes encounter. Nothing to worry about. Once I can establish this kind of confidence level in the fish, they give me permission to approach closely to get the kind of pictures I want without causing them to flee.

As many who work regularly with wildlife will tell you, it's all about body language. It's the way animals communicate with each other and the only way for inter-species dialogue to occur. Learning how to eliminate unintentional signals of hostility or threats to animals is something we can learn to do and employ effectively in our encounters with them.

Best Fish Photographers to Follow on Instagram

If you're like me and enjoy seeing the work of some of the world's best underwater fish photographers, here are five Instagram accounts you need to follow in 2020.  All five of these photographers work in freshwater environments and their talent is truly exceptional. They continually awe and inspire me and just seeing their pictures make me want to grab my mask and wet-suit and head to the nearest lake. I think you'll agree that their work is simply breathtaking.  While freshwater underwater photographers never get the recognition that marine photographers get, I hope you'll support these brilliant individuals by following them on Instagram.

• Dr. Paul Vecsei has a M.Sc. in ichthyology and a Ph.D. in fisheries and his underwater photos of cold water fish are exceptional. His pictures of Lake Whitefish, lake trout and cisco are without a doubt the finest images ever made of these species in their natural habitat.

• Isaac Szabo is a very talented and patient shooter who beautifully photographs native fish and other aquatic life of the Ozarks region and the springs of Florida.

• Jennifer Idol is the first woman to dive all 50 states and is the author of An American Immersion. As an underwater conservation photographer, her pictures and articles are widely published.

• Dr. Sean Landsman, PhD is a professional fisheries scientist who has beautifully captured many difficult-to-photograph coastal species like American Eel, Alewife, Eastern Brook Trout and Rainbow Smelt.

• Patrick Clayton is the USA's premier photographer of wild trout from the streams of the American West.

• Finally, here’s my own Instagram account.  Evidence that I can occasionally take a picture that's actually in focus.

Working with Fish Models: The Best Angle To Photograph Fish

Recently, a friend of mine commented on my photography: "I can always spot your fish images when I see them in magazines...", he said. "It's because you always show the fish from below".  I haven't thought about that for a long time, but he's right.  

When I first began taking portraits of fish underwater, I was almost always hovering above the fish looking down on them.  It was just more convenient for me to shoot pictures that way.  The images were Ok, but this angle tended to give them a flat and uninteresting look. It also made them somehow insignificant or easily dismissible. Every beginners book on photography points out that pets and children will always look awful when photographed from above and that you should try to shoot them at eye-level.  I began trying this underwater with fish and noticed the immediate improvement in my images.  

Later, I was reading about Vogue and Cosmo photographers and how the pros never shoot a super-model from below unless she has a terrific jaw-line.  It occurred to me that fish, with their gills, all had great jaw-lines, so I began getting below eye-level and photographing them from below.  The results were so breathtakingly stunning that I began to try to compose every fish picture this way.  Over time, it's become a distinct hallmark of my work.  I'm convinced that it's the best angle to photograph fish underwater.

I think it's incumbent on all wildlife photographers to portray their subjects with as much style and beauty as possible.  This is easy to do with cuddly puppies and furry baby seals, but with reptiles, amphibians and even fish, we often have to work hard to convey their inherent beauty to our audience. People will always care more about pretty things than ugly ones. That's just human nature. 

As a fish photographer, I feel a responsibility to my subjects to try to portray their magnificence in every picture I make. Because of this, I usually won't shoot fish with split fins, scars, injuries or other physical deficiencies. Instead I look for fish that are healthy and vibrant. I want the best ambassadors of each species to represent the entire population. If I want viewers to care about fish the way I do, I have to make it as easy as possible for them to appreciate and embrace these finned marvels.

How Important Are Cameras In Underwater Photography?

People interested in underwater photography often ask me what kind of camera equipment I use. 

I’ve always felt that underwater photographers put far too much    
 emphasis on their equipment and not enough on studying the behavior, habits and biology of their subjects.  The best equipment won’t help you if you don’t know where to go, what you’re looking at or whether you’re truly seeing something rare, unusual or out of the ordinary. 

How many photographers can tell the difference between a good looking clown fish and a bad looking one?  If they all look the same to you, you need to study clown fish better.  What I mean is this:  In every species, you’ve got your pretty Scarlet Johansson types and your skanky Courtney Love types.  It's easy to notice the distinction when we're looking at our own species, but not as easy when we're viewing other species, like fish for example.  If you don’t recognize the differences, you’re in trouble, because the people buying your pictures often times can.  And if you try to pass off a Courtney Love for a Scarlett Johansson, you’re going to be regarded as someone who doesn’t really know what you’re photographing, even if your pictures are technically perfect. 

Too much emphasis is put on the equipment we use.  But the "secret sauce" so to speak, is not the cameras and lenses, rather the familiarity with the subject matter.  That's what makes the difference between good photos and bad ones.  I’ve seen some amazing pictures taken with crappy point and shoots because the photographer understood the situation he was in and what he was shooting.  So the emphasis on the equipment you use is really overrated and of little importance.  Think of it this way: If your girlfriend told you she found a great dress on sale at the mall, would you ask her what kind of car she drove to get to the mall?

25 Years of Underwater Fish Photography

2017 will mark the start of my 25th year of photographing fish in their underwater homes. I'm grateful for the chance to act as a partner to my subjects. By documenting fish and their world, I hope to inspire you to join me in protecting the freshwater ecosystems that we love.

 

 

How Important are Cameras to Underwater Photography?

People interested in underwater photography often ask me what kind of camera equipment I use. 

I’ve always felt that underwater photographers put far too much    
 emphasis on their equipment and not enough on studying the behavior, habits and biology of their subjects.  The best equipment won’t help you if you don’t know where to go, what you’re looking at or whether you’re truly seeing something rare, unusual or out of the ordinary. 

How many photographers can tell the difference between a good looking clown fish and a bad looking one?  If they all look the same to you, you need to study clown fish better.  What I mean is this:  In every species, you’ve got your pretty Scarlet Johansson types and your skanky Courtney Love types.  It's easy to notice the distinction when we're looking at our own species, but not as easy when we're viewing other species, like fish for example.  If you don’t recognize the differences, you’re in trouble, because the people buying your pictures often times can.  And if you try to pass off a Courtney Love for a Scarlett Johansson, you’re going to be regarded as someone who doesn’t really know what you’re photographing, even if your pictures are technically perfect. 

Too much emphasis is put on the equipment we use.  But the "secret sauce" so to speak, is not the cameras and lenses, rather the familiarity with the subject matter.  That's what makes the difference between good photos and bad ones.  I’ve seen some amazing pictures taken with crappy point and shoots because the photographer understood the situation he was in and what he was shooting.  So the emphasis on the equipment you use is really overrated and of little importance.  Think of it this way: If your girlfriend told you she found a great dress on sale at the mall, would you ask her what kind of car she drove to get to the mall?