Making Fish Look Their Very Best

 

I once read an article about how fashion photographers for Vogue and Cosmo never shoot a super-model from below unless she has a terrific jaw-line.  It occurred to me that fish, with their gills, all have great jaw-lines, so I began getting below eye-level and photographing them from below.  The results were so breathtakingly stunning that I began to try to compose every fish picture this way.  Over time, it's become a distinct hallmark of my work.  I'm convinced that it's the best angle to photograph fish underwater.

I think it's incumbent on all wildlife photographers to portray their subjects with as much style and beauty as possible.  This is easy to do with cuddly puppies and furry baby seals, but with reptiles, amphibians and even fish, we often have to work hard to convey their inherent beauty to our audience. People will always care more about pretty things than ugly ones. That's just human nature. 

As a fish photographer, I feel a responsibility to my subjects to try to portray their magnificence in every picture I make. Because of this, I usually won't shoot fish with split fins, scars, injuries or other physical deficiencies. Instead, I look for fish that are healthy and vibrant. I want the best ambassadors of each species to represent the entire population. If I want viewers to care about fish the way I do, I have to make it as easy as possible for them to appreciate and embrace these finned marvels.

2021 will be the start of my 28th year of photographing native North American freshwater fish underwater in their natural habitat. I can't wait to get back in the water with my super-models!

What's the Easiest Fish to Photograph Underwater?

Smallmouth Bass Underwater (c)Eric Engbretson

I received an email the other day from someone who asked me what I thought was the easiest fish to photograph. Well, none of them are that easy to photograph well, but if I had to pick one that gave me the least trouble, it would be smallmouth bass. The reason for that is they have a unique inherent curiosity and sociable nature. They’re not by nature a timid fish so they'll eagerly come around you. I think they've learned that divers stir up food items. They’ve kind of put that together. So when you get in the water, you’ll get them following you around after a while. It’s not unusual at the end of a dive to have 15 or 20 smallmouth bass in a parade, following you. 

If a smaller one comes too close to you the larger ones will chase them away so they can have exclusive access. Because they are so friendly and easy to approach, you can blow all the bubbles you want to or spend crazy amounts of time fooling around with different camera adjustments or lighting angles without worrying about them being scared off.  

They're an excellent fish to spend time with if you're a novice photographer, because they have loads of patience. But after decades of underwater photography, I wouldn't say photographing them is especially challenging. At the end of a dive, if I can’t find anything else, that’s when I do the smallmouth pictures.

So, what's the most difficult fish to photograph? I think it's the carp. They are so aware. They have excellent vision and hearing. They can see you so far away in clear water and if you make any slight noise, they're gone. Even if you don’t blow a bubble but you take a breath, it makes a tiny whooshing noise. It’s such a tiny sound, but they hear that and they react. You have to be so still and so quiet. 

What I do with carp is I pick a spot where I know they’re milling about and I get behind a rock and hide and hopefully one will cruise by. If they see you it’s over. They’re really smart and are really sensitive to the bubbles of divers. That's why they give me so much trouble. But they're not the only species that are bothered by bubbles. Crappie, yellow perch, trout, catfish, sturgeon are some others. They’re all hard to get close enough to to get great pictures. To be successful, you need patience, and frankly a lot of times luck.

Working with Fish Models: The Best Angle To Photograph Fish

Recently, a friend of mine commented on my photography: "I can always spot your fish images when I see them in magazines...", he said. "It's because you always show the fish from below".  I haven't thought about that for a long time, but he's right.  

When I first began taking portraits of fish underwater, I was almost always hovering above the fish looking down on them.  It was just more convenient for me to shoot pictures that way.  The images were Ok, but this angle tended to give them a flat and uninteresting look. It also made them somehow insignificant or easily dismissible. Every beginners book on photography points out that pets and children will always look awful when photographed from above and that you should try to shoot them at eye-level.  I began trying this underwater with fish and noticed the immediate improvement in my images.  

Later, I was reading about Vogue and Cosmo photographers and how the pros never shoot a super-model from below unless she has a terrific jaw-line.  It occurred to me that fish, with their gills, all had great jaw-lines, so I began getting below eye-level and photographing them from below.  The results were so breathtakingly stunning that I began to try to compose every fish picture this way.  Over time, it's become a distinct hallmark of my work.  I'm convinced that it's the best angle to photograph fish underwater.

I think it's incumbent on all wildlife photographers to portray their subjects with as much style and beauty as possible.  This is easy to do with cuddly puppies and furry baby seals, but with reptiles, amphibians and even fish, we often have to work hard to convey their inherent beauty to our audience. People will always care more about pretty things than ugly ones. That's just human nature. 

As a fish photographer, I feel a responsibility to my subjects to try to portray their magnificence in every picture I make. Because of this, I usually won't shoot fish with split fins, scars, injuries or other physical deficiencies. Instead I look for fish that are healthy and vibrant. I want the best ambassadors of each species to represent the entire population. If I want viewers to care about fish the way I do, I have to make it as easy as possible for them to appreciate and embrace these finned marvels.